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Recent Posts

  1. The Supervising Producer Partnership: How CJ Hunt Found the Arc for "Neutral Ground" While Working with ITVS

    April 12, 2022

    How do filmmakers and ITVS supervising producers work together in their back-and-forth partnership?To best explain CJ Hunt's partnership with ITVS, we wanted to have him in the same room with three-time Emmy-nominated ITVS Supervising Producer Shana Swanson to explore what it meant to work together as funder and maker. Hunt made his feature film debut

  2. Chol Soo Lee released, alongside big American car, archival photo

    "Free Chol Soo Lee" Filmmakers Share Desire to Tell Complex, Nuanced Stories of Asian Americans

    May 31, 2021

    Julie Ha and Eugene Yi talk about the journey their film "Free Chol Soo Lee" has already made and the road that lies ahead, the importance of this story to Asian American activists, and impart some wisdom to doc makers about the process of applying to and working with ITVS.

  3. ITVS Documentary Film Funding logo

    ITVS Open Call and Digital Open Call Now Accepting Submissions

    December 12, 2016

    ITVS documentary funding application windows now open for feature-length documentary works-in-progress and original web series pilots.

  4. ITVS Digital Open Call banner

    ITVS Digital Open Call Now Accepting Submissions

    March 7, 2016

    ITVS is excited to announce its call for entries for the Digital Open Call. Now in its second year, the fund will support independent filmmakers in developing and piloting original web series for public media's digital platforms, including PBS.org, PBS-branded YouTube channels, and others. ITVS is thrilled to continue building a pipeline for producers

  5. ITVS Funds Diverse Filmmakers Through Open Call

    February 26, 2016

    In its 25th year, ITVS is committed to open access, transparency, and diversity. In that spirit, ITVS is proud to release filmmaker statistics from our first round of Open Call funding in 2016. Over 300 filmmakers applied for ITVS’ Open Call; 48 percent were women and 40 percent were filmmakers of color. First-time applicants made up 42 percent of funded