
Independent Lens
Women in Blue
Women officers seek gender equity in Minneapolis, redefining what it means to protect and serve. Then a fatal shooting imperils their gains.
Americans are living longer, and the home care industry can't keep up with the demands of an aging "Baby Boomer" generation.
Deirdre Fishel is an independent filmmaker of both documentaries and dramas. Her films have premiered in competition at Sundance and SXSW and been broadcast in 35 countries worldwide. Her documentary Still Doing It: The Intimate Lives of Women Over 65 was also expanded into a book co-written with producer Diana Holtzberg. Recent projects include a web… Show more
Tony Heriza has been producing media for social change since the 1970s, when he was a co-founder of Community Media Productions in Dayton, Ohio. His 2009 documentary Concrete, Steel & Paint has been screened widely at festivals and was distributed through the filmmaker-owned co-op New Day Films. Heriza has taught documentary production at Rutgers… Show more
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With each decade, more Americans are living into their 80s and 90s — and as the “baby boom” ages, the elderly population is exploding. The vast majority of elders want to stay in their homes as long as possible, but the system of family care that historically met the needs of the elderly has been radically changed by women’s entry into the workforce. Family care is increasingly being supplemented and replaced by paid home care. Home care is now the fastest growing occupation in the country, and yet remains one of the least regulated.
CARE demonstrates the profound contribution care workers make to their client’s lives while revealing that our cobbled-together approach to elder care is failing both the elderly and the workers who provide care. The complexity of the issues (along with an aversion to the realities of aging) makes it easier to look away than face the impending crisis. CARE draws viewers into this hidden world through compelling, deeply human stories exposing the elder care dilemmas that virtually every viewer will come to face — either for a loved one or for themselves.
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