
POV
Delikado
On the idyllic island of Palawan, ecological crusaders battle the development of a tropical paradise-turned-tourist hotspot.
His work merges an interest in how individuals interact inside of political and economic spaces with visual storytelling that is grounded in experimental processes. He is a co-owner of the award-winning production company, The Greenhouse Collective. He has produced music videos for Grammy Award Winner Mavis Staples, Grammy Award Nominee Southern… Show more
Alex is a filmmaker & journalist calling New Orleans and Los Angeles home. He’s produced, directed, and shot feature length and short form documentaries, commercials, & branded content. He specializes in and gravitates towards stories that involve human rights, confronting unjust systems, and helping people. He co-produced the award… Show more
Cassandra is a New Orleans based producer with a background in commercial and music video productions, as well as in films ranging from indie shorts to tier 3 feature productions for A24 and Universal Pictures. She recently worked with Invisible Pictures and Creative Control as the production coordinator and post production supervisor for the Topic… Show more
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Through animation, observation, and subject participation, the three-part series Untitled New Orleans Justice Project delves into the New Orleans criminal justice system and explores the collective experiences of arrest, pre-trial detention, and incarceration. Through first-hand accounts and vivid memories, episodes paint a visceral portrait of a justice system that detains without charges, convicts without a jury, and releases individuals back into society with PTSD from their experiences.
The first episode, “First Appearances,” explores the post-arrest journey when an individual is processed into jail, held overnight, and then brought shackled to court for the first time. By using animation, the episode connects multiple stories to create a singular collective narrative. The second episode, “D.A. Time,” examines the length of time an individual can sit in jail before they are charged with a crime (in Louisiana it is 60-120 days) and how this long period of pre-trial incarceration often impels individuals to plead guilty. The final episode, “Angola Revisited,” follows a small group of men who have spent significant time inside of Angola, once the most violent prison in America. The episode’s exploration of collective workshops in film, storytelling, and peer counseling reveals the long-term trauma the men still experience. By considering the justice system through an experiential lens, the series asks us to reconsider the intention, design, and process of America’s justice system.
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